Toni Morrison's "The Bluest Eye" is an inquiry into the reasons why beauty gets wasted in this country. The beauty in this case is black; the wasting is done by a cultural engine that seems to have been designed specifically to murder possibilities; the "bluest eye" refers to the blue eyes of the blond American myth, by which standard the black-skinned and brown-eyed always measure up as inadequate.
The Bluest Eye is a harsh warning about the old consciousness of black folks' attempts to emulate the slave master. Pecola's request is not for more money or a better house or even for more sensible parents; her request is for blue eyes — something that, even if she had been able to acquire them, would not have abated the harshness of her abject reality.
In Lorain, Ohio, 9-year-old Claudia MacTeer and her 10-year-old sister Frieda live with their parents, who take two other people into their home: Mr. Henry, a tenant, and Pecola Breedlove, a temporary foster child whose house is burned down by her unstable and alcoholic father, Cholly: a man widely gossiped about in the community. Pecola is a quiet, passive young girl who grows up with little money and whose parents are constantly fighting, both verbally and physically. Pecola is continually reminded of what an "ugly" girl she is, fueling her desire to be white with blue eyes. Most chapters' titles are extracts from the Dick and Jane paragraph in the novel's prologue, presenting a white family that may be contrasted with Pecola's. The chapter titles contain sudden repetition of words or phrases, many cut-off words, and no interword separations.
The novel, through flashbacks, explores the younger years of both of Pecola's parents, Cholly and Pauline, and their struggles as African-Americans in a largely White Anglo-Saxon
while Pecola is doing dishes, a drunk Cholly rapes her. His motives are largely confusing, seemingly a combination of both love and hate. After raping her a second time, he flees, leaving her pregnant.
Claudia and Frieda are the only two in the community that hope for Pecola's child to survive in the coming months. Consequently, they give up the money they had been saving to buy a bicycle, instead planting marigold seeds with the superstitious belief that if the flowers bloom, Pecola's baby will survive. The marigolds never bloom, and Pecola's child, who is born prematurely, dies. In the aftermath, a dialogue is presented between two sides of Pecola's own deluded imagination, in which she indicates conflicting feelings about her rape by her father. In this internal conversation, Pecola speaks as though her wish for blue eyes has been granted, and believes that the changed behavior of those around her is due to her new eyes, rather than the news of her rape.
Claudia, as narrator a final time, describes the recent phenomenon of Pecola's insanity and suggests that Cholly (who has since died) may have shown Pecola the only love he could by raping her. Claudia laments on her belief that the whole community, herself included, have used Pecola as a scapegoat to make themselves feel prettier and happier.
Comments
Post a Comment