1. What is Archetypal Criticism ? What does the Archetypal Critic do?
Ans. Archetypal means "Original form". It refers to universal symbols, theme , character, images. It repeated throughout literature. It is a term in which Frye 's archetypal criticism strictly categorise works based on their genres which determine how on archetype is to be interpreted in a text.
Archetypal Critic would suggest that all human experience is connected through literature and this experience is expressed again and again by using the same pattern throughout time and space.
2. What is Frye trying to prove by giving an analogy of ' Physics to Nature ' and ' Criticism to Literature
Ans. In this Frye compare the both Physics to Nature and Criticism to Literature. The Physics is deep study of Nature but it called physics not Nature though it is based on the Nature only but it called physics.In the same manner In the literature we are not learn the literature but we learn to understand literature, how to read and how to criticise literature so we are not Learn literature but criticise literature. So it is the criticism of literature. So Literature is equall to Nature and Physics is equall to Criticism.
3. Share your views of criticism as an organised body of knowledge. Mention relation of literature with history and philosophy.
Ans. Criticism is as an organised body of knowledge. So it is progressive way of Literature. But Literature never organised it should free from it for the progress of Literature. It definitely deeply connected with the History and Philosophy both are important pillars of Literature. The History connected with the myths and Philosophy connected with Morality and ethics. History stands for events and Philosophy is stands for idea.
4. Briefly explain Indicative method with illustrations of Shakespeare 's Hamlet 's Grave Digger 's scene.
Ans. Inductive method is method of reasoning which works from specific to general. In the Shakespeare 's Hamlet the grave digger scene is the example of it. It is specific scene which lead us toward general things. When the Grave Digger's scene of Hamlet arise May audience alredy knows that now something going to bad because the Mineral Structure of Scene is Tragic.
5. Briefly explain Deductive Method with reference to an analogy to music , painting, rhythm and pattern. Give example of outcome of Deductive Method.
Ans. In the Deductive Method it come from general to specific or particular observations. In this Music has rhyme and Painting has patterns. Both are connected while listening the music at the first time we can't understand but when we start to understand the words we image a picture in the mind by this imagination we understand the things. As the same thing happens while reading literature we image the things through the imagination it helps us to understand the literature. So music , rhythm, painting, pattern so it helps to understand the literature.
6. Refer to the Indian seasonal grid (below)., please read small Gujarati or Hindi or English poem from the archetypal approach and apply Indian seasonal grid in the interpretation.
Ans. Frye talking about solar cycle of the day, year and seasonal grid. Here is example of one seasonal poem
the year breathes dully towards its death,
beside its dying sacrificial fire;
the dim world’s middle-age of vain desire
is strangely troubled, waiting for the breath
that speaks the winter’s welcome malison
to fix it in the unremembering sleep:
the silent woods brood o’er an anxious deep,
and in the faded sorrow of the sun,
I see my dreams’ dead colours, one by one,
forth-conjur’d from their smouldering palaces,
fade slowly with the sigh of the passing year.
They wander not nor wring their hands nor weep,
discrown’d belated dreams! but in the drear
and lingering world we sit among the trees
and bow our heads as they, with frozen mouth,
looking, in ashen reverie, towards the clear
sad splendour of the winter of the far south.
beside its dying sacrificial fire;
the dim world’s middle-age of vain desire
is strangely troubled, waiting for the breath
that speaks the winter’s welcome malison
to fix it in the unremembering sleep:
the silent woods brood o’er an anxious deep,
and in the faded sorrow of the sun,
I see my dreams’ dead colours, one by one,
forth-conjur’d from their smouldering palaces,
fade slowly with the sigh of the passing year.
They wander not nor wring their hands nor weep,
discrown’d belated dreams! but in the drear
and lingering world we sit among the trees
and bow our heads as they, with frozen mouth,
looking, in ashen reverie, towards the clear
sad splendour of the winter of the far south.
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